I Bleed Red & Sweat Blue
Alexius. Dallas<3
My dreams completely define me. They embody my values and my hopes. They are so much a part of me that they have flooded within me, pumped through my heart and are enlivened with every breath.
I Bleed Red & Sweat Blue
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"Never ruin an apology with an excuse."
Benjamin Franklin  (via hiperbole)
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trendgraphy:

Do Work by Fuzzco™Twitter || Source
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trendgraphy:

Reissue of the NYCTA Graphic Standards Manual 
Check the kickstarter video:
 
"Dedicated to Massimo Vignelli, Bob Noorda, and the Unimark staff."
Check the Kickstarter project here:  kickstarter.com/
Check the manual online: thestandardsmanual.com/
trendgraphy:

Reissue of the NYCTA Graphic Standards Manual 
Check the kickstarter video:
 
"Dedicated to Massimo Vignelli, Bob Noorda, and the Unimark staff."
Check the Kickstarter project here:  kickstarter.com/
Check the manual online: thestandardsmanual.com/
trendgraphy:

Reissue of the NYCTA Graphic Standards Manual 
Check the kickstarter video:
 
"Dedicated to Massimo Vignelli, Bob Noorda, and the Unimark staff."
Check the Kickstarter project here:  kickstarter.com/
Check the manual online: thestandardsmanual.com/
trendgraphy:

Reissue of the NYCTA Graphic Standards Manual 
Check the kickstarter video:
 
"Dedicated to Massimo Vignelli, Bob Noorda, and the Unimark staff."
Check the Kickstarter project here:  kickstarter.com/
Check the manual online: thestandardsmanual.com/
trendgraphy:

Reissue of the NYCTA Graphic Standards Manual 
Check the kickstarter video:
 
"Dedicated to Massimo Vignelli, Bob Noorda, and the Unimark staff."
Check the Kickstarter project here:  kickstarter.com/
Check the manual online: thestandardsmanual.com/
trendgraphy:

Reissue of the NYCTA Graphic Standards Manual 
Check the kickstarter video:
 
"Dedicated to Massimo Vignelli, Bob Noorda, and the Unimark staff."
Check the Kickstarter project here:  kickstarter.com/
Check the manual online: thestandardsmanual.com/
trendgraphy:

Reissue of the NYCTA Graphic Standards Manual 
Check the kickstarter video:
 
"Dedicated to Massimo Vignelli, Bob Noorda, and the Unimark staff."
Check the Kickstarter project here:  kickstarter.com/
Check the manual online: thestandardsmanual.com/
trendgraphy:

Reissue of the NYCTA Graphic Standards Manual 
Check the kickstarter video:
 
"Dedicated to Massimo Vignelli, Bob Noorda, and the Unimark staff."
Check the Kickstarter project here:  kickstarter.com/
Check the manual online: thestandardsmanual.com/
trendgraphy:

Reissue of the NYCTA Graphic Standards Manual 
Check the kickstarter video:
 
"Dedicated to Massimo Vignelli, Bob Noorda, and the Unimark staff."
Check the Kickstarter project here:  kickstarter.com/
Check the manual online: thestandardsmanual.com/
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trendgraphy:

Magic by Kim Panella
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"Stay single until someone actually compliments your life in a way that makes it better not to be single. If not, it’s not worth it."
(via nyu-tah)
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thefilmstage:

classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.

See the most effective editing moments in cinema.
thefilmstage:

classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.

See the most effective editing moments in cinema.
thefilmstage:

classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.

See the most effective editing moments in cinema.
thefilmstage:

classicmoviescenes:

The match cut is a cut between two shots which match graphically. This match establishes a sense of continuity and interconnectedness between two different spatial or temporal spheres.
Psycho (1960), directed by Alfred Hitchcock.
Lawrence of Arabia (1962), directed by David Lean.
The Graduate (1967), directed by Mike Nichols.
2001: A Space Odyssey (1968), directed by Stanley Kubrick.

See the most effective editing moments in cinema.
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